Section one
The Work
Album by album, in order, with the studio detail that usually gets left out: the Fairlight, the home studio in Kent, the two very different sides of a 1985 record, the long silences between releases.
Read the album essaysUnofficial · written by listeners · no connection to Kate Bush, her management or any record company
An unofficial fan journal
Two subjects, one obsession. The first is the work itself: ten studio albums made largely on her own terms, from a teenage debut in 1978 to a snowbound record in 2011. The second is what listeners do about it, which in this country usually involves a village hall, a borrowed PA and far too much tea.
Everything here is written by people who have lived with these albums for years. We take the music seriously and the organising even more seriously, because the second one is where most fan projects quietly fall apart.
Original photography commissioned for this journal. We publish no images of Kate Bush and no record sleeves.
We started writing about the albums. Within a year we were writing about parking, public liability cover and where to hire a hundred chairs in Sheffield on a Sunday. Both halves belong on the same site.
Section one
Album by album, in order, with the studio detail that usually gets left out: the Fairlight, the home studio in Kent, the two very different sides of a 1985 record, the long silences between releases.
Read the album essaysSection two
Mass dances on public parks, listening nights in back rooms, record fairs, quiz nights and the annual pilgrimage north. What actually happens at them, and what they cost to run.
See what people organiseSection three
The unglamorous half: choosing a date, booking a hall, insurance, first aid, accessible entrances, telling people it exists. Written for someone who has never organised anything before.
Start with the beginner’s guideThe mass tribute dance began in Brighton in 2013, when a group of performers taught a park full of strangers the choreography from the 1978 Wuthering Heights video. It has since become a summer fixture in dozens of cities, usually in July, usually raising money for a local cause, and almost always slightly chaotic in the best way.
We have been to a fair number of them. What surprises newcomers is how little dancing ability the day requires and how much of it is really about standing in a field with people who understand exactly why you are there.
Our guide covers what to wear if you are not confident in a leotard, how the rehearsals work, and how to bring a group without losing half of them at the station.
A listening night in a hired hall: the format that survives longest, because it costs almost nothing to run.
Six pieces that between them explain what we write about, why we write about it this way, and how to do something with it yourself.
Where we stand. This is a listeners’ site. It is not run by Kate Bush, by anyone who works with her, or by any label that has released her records, and nothing published here should be read as coming from her. We do not reproduce photographs, artwork or complete lyrics, and we do not sell anything. If you own material you believe we have used without permission, write to us through the about page and we will take it down while we look into it.